The Chants of Christmas

"This is what I would call a glorious retreat...it is certainly worth it. We are given Gregorian chants corresponding to the Propers of the four masses that comprise the Nativity celebration: roughly, the Vigil Mass (evening before anticipatory in nature), Night Mass (done after the Night Office, reflective), early morning mass (at dawn, probably the most joyous of the four) and the Mass during the day (the most profoundly theological in meaning in terms of the Christmas proclamation). Rounding out the program are eight antiphons in honor of the Virgin Mary, not particularly wedded to the Nativity season, but certainly appropriate, and in practice found to be quite commonly performed during this time.  Readers familiar with my reviews of this ensemble know that I am a big fan, and I find the comprehensive approach, thoughtful dynamic shadings, and generally robust and fully piety-riven performances to be models of their kind. The Schola has done a number of chant recordings, all worth seeking out, and their approach to this music is anything but doctrinaire or dogmatic, ever seeking to breathe new life and a modern freshness into this ancient music that refuses to not speak to contemporary audiences. The pared-down Gregorian melodies are just the thing to allow one to reflect on the original Christmas meaning sans ornaments, decorations, and candy canes, and you might find that this release inspires you to captures anew the spiritual and cultural essence of the season....the sound is terrific."  —Audiophile Audition  

"This recording...is a remarkable success. The music consists of the Mass Propers for the four Masses of Christmas (including the vigil Mass) along with the four final antiphons of the Office in both solemn and simple melodies...Textually, these chants follow the latest edition of theGraduale Romanum, and the final antiphons are taken from the Antiphonale Monasticum, a better edition than the Liber Usualis. As a program it's cohesive, yet it combines familiar chants with the less frequently recorded Vigil and Dawn Masses. About half of the pieces are sung by the men, the rest by the women, with no octave singing; the verses of all the Mass pieces (except for the Offertories) are sung by solo cantors of uniformly high ability. The engineering is expert, favoring clarity. The notes are informative, with texts and translations printed." —Fanfare
      
"The propers for four Gregorian masses for Christmas are sung here, plus two sets of antiphons to the Virgin Mary. The singers are led by monastic cantors, and many are themselves monastics. They certainly know and love this music...and alternating men's and women's voices makes a more attractive program than most Gregorian ones." —American Record Guide