Graduel Neume

By (author) Monks of Solesmes

$49.95
  • ISBN: 9782852740129
  • Trim size: 0 x 0 inches
  • Publication Date: N/A
  • Product ID: 4003
  • Format: Paperback
A valuable addition to any chant library, the Neumé Graduel, captures a turning point in the history of the restoration of Gregorian Chant. Created by Dom Eugene Cardine, he used as it’s foundation the first Vatican edition of the Graduale Romanum (no. 696), printed in 1908 by the Maison Desclée in Tournai. Superimposed upon the square notation, Dom Cardine used the very oldest manuscripts of the school of S. Gall: S. Gall 339 and 359, Einsiedeln 121, Bamberg lit. 6, and copied in by hand the neumes that correspond to each piece.
As not all the pieces in use today are found in the first manuscripts, only the pages of the Graduale where neumes appear above the staves have been reproduced here: this results in some skips in pagination especially in the second part of the work (Sanctoral), and the Kyriale is therefore completely omitted.
While the Neumé Graduel is not a critical work, having not been verified by a second reading directly on the documents, we see that what is lost from a critical point of view is largely compensated from a practical point of view, making this an invaluable resource.
Author Bio
Since the refounding of the monastery of St. Peter of Solesmes in 1833 under Dom Prosper Gueranger, this Benedictine monastery on the River Sarthe in western France has set the world standard both for the performance of Gregorian chant and the authenticity of the music itself. Commissioned by Pope Pius X to research the role of chant in liturgy and to edit books on chant that reflect this research, Solesmes enjoys an enviable reputation. Its work in liturgical reform and in the current revival of Gregorian chant has been likened to that of the great abbey of Cluny in the Middle Ages. These recordings incorporate new understandings of ancient manuscripts and represent a distillation of nearly 200 years of scholarship in the chant: musical paleography, semiology, and modality. The groundbreaking work by the monks of Solesmes has contributed to today’s resurgence of interest in Gregorian chant as the foundation of Western music.

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